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Page Updated: Dec. 25, 2007
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Table of Contents
Excerpt: Chapter 3
Peter Lorre's Credits (A Sample)
Peter Lorre: Biographical Sketch
Peter Lorre FAQ
Peter Lorre On DVD
Peter Lorre Photos
Peter Lorre Poster Art
Critics Are Saying . . .
Interview With The Author
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Except where noted, all photos are from the collection of Stephen
Youngkin. For a larger image, click on the thumbnail. A new window will open.
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In an early scene from Mr. Moto Takes a Chance, Norman
Foster directs Peter Lorre and an unbilled actor at an archaeological dig in the 20th
Century-Fox version of Tong Moi, Cambodia. A New York Times article
(August 22, 1937) reported Moto's "personal jungle" was located just outside the
soundstage where Tyrone Power and Alice Faye were at work on the million-dollar
epic In Old Chicago (1937). A brass band from the film's "political rally"
sequence frequently interrupted the Moto-makers with a rendition of "The Blue
Danube".
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The second entry in the Mr. Moto series,
Mr. Moto Takes a Chance (1938) was filmed as Look Out, Mr. Moto
and released fourth. As the intrepid Japanese detective, Peter Lorre strikes a
dramatic pose, while romantic leads Robert Kent and Rochelle Hudson and villain
J. Edward Bromberg look on.
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Norman Foster sits on the "cherry picker" with his cinematographer
Virgil Miller and directs Peter Lorre on the spiral staircase of the "Sultana Theatre
of Variety" set in a scene from Mr. Moto's Last Warning (20th Century-Fox,
1939).
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Another from a series of studio portraits of Peter Lorre in the 1930s.
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Supporting cast members (left to right) Robert Lowery, Neely Edwards,
Paul Harvey, and Douglass Dumbrille confront Peter Lorre in a publicity still for
Danger Island (20th Century-Fox, 1939), the final movie shot in the
Mr. Moto series, but released seventh.
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Warren Hymer and Peter Lorre appear to have just finished shooting the
"warehouse escape" sequence in Danger Island. Originally filmed as
Mr. Moto in Puerto Rico, it is the only entry in the Moto series
that does not include the Japanese detective's name in the title.
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Peter Lorre helps a Fox makeup man put the finishing touches on actor
Duncan Renaldo for another of his late-1930s action-adventure film roles. In the
1950s, Renaldo would become known as "The Cisco Kid" on the small screen.
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A gathering of the German émigré community at the Hollywood home of
film director Ernst Lubitsch (center, white suit), late 1930s. Peter Lorre sits at a table
in the far right-hand corner.
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On August 10, 1939, Hollywood and Broadway stars conferred at Lawrence
Tibbett's New York home on their dispute with a dissident block of entertainers
headed by Sophie Tucker. Here, Katharine Hepburn, violinist Jascha Heifetz and
Peter Lorre discuss the "showdown" between opposing theatrical unions.
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In town for radio appearances on Rudy Vallee's The Royal Gelatin
Hour and George Jessel's program, Peter visited the 1939 World's Fair, held
that year in New York. Snapped while having dinner at the French restaurant, he
was easily identified, but according to the photo caption, "Mr. Lorre refused flatly
to give the name of his fair companion." August 19, 1939.
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The Lost One: A Life of Peter Lorre
by Stephen Youngkin -- now in its second printing and winner
of the Rondo Award for "Best Book of 2005" -- is available in bookstores everywhere, as
well as these on-line merchants.
The Films of Peter Lorre
(1982), also by Youngkin, is out of print but copies may be
purchased through Amazon and Barnes & Noble below. Interested in Lorre's radio and
television performances? Check out Radio Showcase and Movies Unlimited. Netflix has
Lorre movies for rent.
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